Hired by Edelman to create a cream for the campaing of the Dutch Association for Dermatology and Venereology(NVDV).

The cream simulates the effects of Psoriasis. The cream is used to spread awareness for Psoriasis. 

Hired by Unreal I got to work on a commercial for the Mexcian beer company Vicoria Cerveza. Working of the body paint look for all the dancers and applying the different bodypaint looks on set in Iceland on many of the dancers. Mainly the two lead dancers.

Assisted Carola Brockhoff from Unreal with the character makeup, applying wig and beard of the Roadguard viking. Aswel as half  of the ageing makeups of the mechanics characters on set.

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I was asked by Dinh Van FX to join him and

a couple others to apply some of the original makeup pieces from the Netflix movie ‘Bright’ (made by ADI Studio) for two special commercials shot in Istanbul for the Turkish promotion of the movie.

For a couple Halloween commercials for the car brand Renault I worked for Dinh Van Fx making all the moulds for the zombie makeup and casting all the pieces in silicone, including the vampire ears. I was also on set as makeup artist for both the effects and beauty makeup for the vampires.

For a couple Halloween commercials for the car brand Renault I worked for Dinh Van Fx making all the moulds for the zombie makeup and casting all the pieces in silicone, including the vampire ears. I was also on set as makeup artist for both the effects and beauty makeup for the vampires.

Three different life action commercials

were shot for the game ‘Shadow of War’ and I was asked by UNREAL FX to come work in the workshop and work with them on set.

This massive production containing six different (main) Orc makeups, a lot of mix-n-match orcs and background masks.
I was part of the lifecasting team, moulding & foam latex team and the set crew on all three of the shoots

(shot in Ukraine, Portugal & Hungary) over the timespan of almost a year.

Three different life action commercials

were shot for the game ‘Shadow of War’ and I was asked by UNREAL FX to come work in the workshop and work with them on set.

This massive production containing six different (main) Orc makeups, a lot of mix-n-match orcs and background masks.
I was part of the lifecasting team, moulding & foam latex team and the set crew on all three of the shoots

(shot in Ukraine, Portugal & Hungary) over the timespan of almost a year.

Three different life action commercials

were shot for the game ‘Shadow of War’ and I was asked by UNREAL FX to come work in the workshop and work with them on set.

This massive production containing six different (main) Orc makeups, a lot of mix-n-match orcs and background masks.
I was part of the lifecasting team, moulding & foam latex team and the set crew on all three of the shoots

(shot in Ukraine, Portugal & Hungary) over the timespan of almost a year.

Low budget production I was asked to do

I had to create a (not so typical) Mermaid makeup. I was basically free to do with the design as I pleased.

Silicone old-age appliance for local

public-transport commercial (U-OV). Appliance consisted out of 9 individual pieces.

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Foam-Latex appliances for “Hansel und Gretel” for the National Opera & Ballet

(The Netherlands).
For four characters foam-latex appliances were created to make them resemble clay-dolls made by children.